While Kubrick's film explores humanity's evolution and its relationship with technology through complex imagery, Górka distills these ideas into a single haunting face. The geometric precision of the circles contrasts with their eye-like quality, creating tension between human and machine elements. By reducing HAL 9000's interface to its essential form and merging it with facial features, Górka fuses human and artificial intelligence into one unsettling image. The deep blue void surrounding this face suggests both the endless expanse of space and the cold isolation of computer screens. This marriage of cosmic and technological imagery poses the film's central question: as we advance into space, do we become more machine-like, or do our machines become more human?

Wiktor Górka (1922-2004) studied at the Academy of Fine Arts in Kraków under Tadeusz Kantor. During the 1960s and 1970s, he emerged as a leading figure in the Polish School of Posters, transforming commercial assignments into works of fine art. His posters earned numerous awards at the Warsaw International Poster Biennale and featured in major exhibitions worldwide. Where Western designers focused on commercial promotion, Górka and his colleagues treated film posters as opportunities for artistic interpretation, establishing Poland's reputation for innovative graphic design.