Aleksander Vladimirovich Ishin’s "Urban Landscape" (1960s) offers a striking depiction of Soviet modernist aesthetics, capturing the rapid urbanisation of the postwar Soviet Union. This preparatory sketch for a linocut highlights Ishin's expertise in graphic techniques and his distinctive approach to the "severe style" that shaped much of Soviet art in the 1960s. The work reflects his early career experiences, particularly his transformative 1965 trip to Norilsk, where the harsh northern environment influenced his artistic vision.

"Urban Landscape" serves as a visual metaphor for the dramatic transformation of Soviet urban spaces. The 1960s witnessed unprecedented urban growth, particularly in Central Asian cities like Tashkent, Almaty, and Baku. Populations soared, and traditional architecture gave way to expansive boulevards and modernist structures that embodied the Soviet vision of progress. Standardised high-rise apartment blocks, known as "khrushchyovkas," became ubiquitous during this period. The tension between organic and geometric shapes in Ishin's work hints at the social upheaval that accompanied this physical transformation, as rural migrants flocked to urban centres and new identities emerged.

The composition is defined by the interplay of positive and negative space, with sweeping lines contrasting against geometric blocks, creating a dynamic cityscape in flux. The arrangement of buildings cascading down the hillside creates a rhythmic pattern, while a lone figure in the lower centre provides a sense of scale and human presence. Ishin's simplified forms and stark black-and-white palette adhere to the limitations of the linocut medium while also reflecting the broader artistic shift in the Soviet Union as artists pushed against the constraints of Socialist Realism, exploring more abstracted forms that still captured the essence of Soviet life.

Aleksander Vladimirovich Ishin (1941-2015) was a Moscow-based painter and theatre artist whose versatile career spanned multiple mediums, including painting, graphics, and applied arts such as mosaics and wood carvings. After completing his education at the Moscow Secondary Art School and the Surikov State Art Institute in 1966, he went on to become a significant figure in Soviet art education, serving as Dean of the Faculty of Fine Arts at the Russian Institute of Cultural and Technical Research and Information and later as rector of the Russian State Specialized Academy of Arts (2001-2006). His exhibition history was extensive, beginning with his first solo show at the Palace of Culture in Norilsk in 1965. He participated in numerous international exhibitions, including the Youth Biennale in Paris (1968) and shows in Hungary, Poland, Germany, and the Netherlands. His works can be found in major institutions such as the State Russian Museum, the Tretyakov Gallery, and the Marc Chagall Museum in Vitebsk, as well as in private collections across Europe, the USA, and Israel. Ishin's artistic achievements were recognized with the titles of Honoured Artist (2000) and People's Artist of the Russian Federation (2011).