Vladimir Miroshnikov's "People of Developing Countries, Follow with Peace" (1990) reflects the USSR's ideological alignment with developing nations as a direct rejection of capitalism and American imperialism at the end of the Cold War. Created for Agitplakat Don, this preliminary oil on card sketch holds particular historical significance as one of the few surviving preparatory works from an era when such designs were routinely destroyed.

The composition is dominated by three dynamic profiles of individuals, each of a different ethnicity, all gazing resolutely forward with raised fists—a universal symbol of solidarity and struggle. Above them, the text "People of Developing Countries, Follow with Peace" appears in vibrant red Cyrillic, its placement and typography amplifying the poster’s declarative tone. The figures are framed by bold diagonal planes of yellow, teal, and black, which not only divide the canvas but also convey a sense of movement and unity, while the abstract red blocks at the bottom reinforce the architectural motifs of Soviet urbanism.

Miroshnikov’s use of color and technique enhances the poster’s clarity and emotional impact. The vibrant contrasts between yellow, teal, and black create a visually arresting composition. This approach prioritizes direct communication over subtlety, ensuring the message resonates with a broad audience. The angularity of the figures and the graphic simplicity align with the constructivist influences that pervaded Soviet poster design.

Vladimir Miroshnikov was a Soviet graphic artist and member of the Union of Artists of the USSR. Based in Rostov-on-Don, he collaborated with the creative workshop "Agitplakat Don," addressing themes such as anti-alcohol campaigns and the protection of socialist property. His other notable works, including "The Powerful Wings of Our Young Komsomol" (1980s), showcase his ability to merge ideological messaging with compelling visual design.