László Balogh's "On Guard" (1970s) stands as a powerful meditation on collectivism and military discipline in Soviet-era Hungary. Through stark graphic elements and masterful economy of line, the work captures the tension between individual identity and state authority that characterised the post-1956 period in Hungarian society. The composition's sophisticated interplay of minimalist forms and political symbolism reflects both the artist's technical virtuosity and his nuanced engagement with the complex social realities of his time.

The composition arranges a series of soldiers' profiles in a disciplined horizontal progression, their faces rendered in bold, decisive brushstrokes that emphasise geometric simplicity. The repetition of forms - from the identical caps adorned with red stars to the rhythmic arrangement of rifles - creates a visual cadence that reinforces themes of uniformity and shared purpose. Balogh's decision to depict the soldiers in profile, lends the work a timeless, monumental quality while simultaneously reducing the figures to their most essential geometric forms.

The artist's use of a restricted palette - primarily black strokes against a light background with strategic touches of red in the stars - demonstrates the influence of European modernist movements, particularly German Expressionism. The bold, angular brushwork combines the graphic precision of propaganda posters with the emotional intensity of expressionist art. This stylistic synthesis allows the work to function simultaneously as a document of its historical moment and a universal statement about the relationship between individual and state power. The stark contrast between black and white, softened only by subtle variations in tone, creates a dramatic visual tension that mirrors the political and social tensions of the era.

László Balogh Munkácsy (1930-2023) emerged as a significant figure in Hungarian art during a period of profound social and political transformation. After graduating from the Hungarian College of Fine Arts in 1957, where he studied under influential masters Jenő Barcsay and György Konecsni, Balogh became a central figure in the Szentendre art scene. His association with the Szentendre Artists' Colony beginning in 1958 and his role in founding the Szentendre Graphic Workshop in 1981 established him as a key innovator in Hungarian graphic arts. Balogh won the Munkácsy Prize (2006) and the Golden Cross of Merit of the Republic of Hungary (1994). His final exhibition, "The Geometry of Feelings" (2021), was held at the Vajda Museum shortly before his death in 2023. His works, held in major institutions including the Hungarian National Gallery and the Ferenczy Museum.