Igor Vladimirovich Gumilevsky's "Oak Leaves” (1966) explores the cyclical nature of life and death through a vivid autumn still life. The painting contrasts the fleeting beauty of golden oak leaves with the stark reality of mortality, represented by two lifeless woodcocks. This juxtaposition forms the central theme, reminding viewers of life’s transience even in moments of vibrancy.

The intense palette, dominated by bright yellows and teal, features energetic brushstrokes that seem to dance across the canvas. These colours create a dizzying backdrop of autumnal splendour, symbolising the final burst of life before winter’s stillness. Gumilevsky’s bold, expressive strokes give vitality to the oak leaves, creating movement. In contrast, the muted, earthy tones of the woodcocks anchor the piece, reinforcing the theme of mortality. The clash of colours heightens the tension between life’s last flourish and inevitable decline.

The composition guides the viewer’s gaze in a circular motion, led by the swirling oak leaves, pulling the eye deeper into the painting. The balanced layout emphasises the coexistence of beauty and decay, turning a simple still life into a meditation on growth, death, and renewal. “Oak Leaves” reflects Gumilevsky’s deep connection to the natural world and his understanding of its cycles of growth, decay, and renewal

Igor Vladimirovich Gumilevsky (1925-2001) was a Soviet painter known for his vibrant still lifes, where he used bold colour and meticulous composition to elevate everyday objects. Educated at the Moscow Art College of Memory of 1905 and the Moscow State Art Institute, he began his professional career in 1947. His work imbued ordinary subjects with presence and emotion, suggesting a narrative behind each scene. A member of the Union of Artists of the USSR since 1958, Gumilevsky participated in numerous exhibitions across the Soviet Union, with his works held in museums in Pskov, Bryansk, and Tula.