
First Injury
German Arkadyevich Semerov, 1970s
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German Arkadyevich Semerov’s “First Injury” (1970s) is a profound portrayal of childhood resilience, presented through a blend of Soviet realism and modernist experimentation. The painting captures a pivotal moment in a young boy’s life—his first significant injury—using raw emotional intensity to explore themes of vulnerability, growth, and the loss of innocence. Semerov imbues this scene with a universal relevance, focusing on a child's psychological response to pain rather than glorifying the idealised youth often seen in Soviet art. The painting stands out for its emotional depth, reflecting a key moment in the transition from carefree childhood to a more mature awareness of physical and emotional fragility.
The composition of *First Injury* is striking in its simplicity. The boy, slightly off-centre, holds a ball with his injured hand hidden from view, a subtle gesture that emphasises the tension between the child’s inner pain and outward appearance of stoicism. His Komsomol cap, a symbol of Soviet youth, contrasts sharply with his downcast expression, signalling a moment of disillusionment. The ball, rendered with vivid detail, serves as both the source of the injury and a metaphor for lost innocence, encapsulating the shift from carefree play to the harsh realities of life. By positioning the boy off-balance in the frame, Semerov masterfully conveys a sense of unease, mirroring the boy's internal conflict and his new awareness of personal vulnerability.
First Injury
German Arkadyevich Semerov, 1970s
- Medium
- Oil/board
- Dimensions/
- 90 H x 65 W
- Country
- Russian SFSR
- Condition
- B | Fine - Minor signs of wear