Alexander Mykhailovych Kurilovich’s "Drinking Destroys Knowledge and Education" (1970s) stands as a potent contribution to the Soviet Union's fight against alcohol abuse during the Brezhnev era. Created as a preliminary oil sketch for Agitplakat Dona, the work reflects a period of intensified anti-alcohol campaigns addressing declining workplace productivity and societal decay. The survival of this sketch is particularly noteworthy, as preparatory works were typically destroyed following the production of propaganda posters. Its creation coincided with broader state efforts to curb alcohol's corrosive impact on Soviet education and values.

The composition features a haunting central figure whose identity is consumed by alcohol. His obscured eyes are hidden behind glasses adorned with the three-star cognac logo, and a cigarette dangles from his lips. Below this imposing presence, a stack of educational books bearing philosophical titles is defiled by spilled alcohol from an overturned cognac glass. The seeping liquid vividly symbolizes the destructive power of alcohol on intellectual growth and socialist ideals.

Executed entirely in shades of green with subtle grey undertones, the sketch demonstrates Kurilovich’s skillful use of a restricted palette. This monochromatic approach, typical of preliminary propaganda studies, emphasizes stark value contrasts to amplify the work’s message. The bold contrasts and simplified forms showcase Kurilovich’s remarkable economy of technique, reflecting both constructivist influences and the practical considerations of poster reproduction.

Alexander Mykhailovych Kurilovich (1928–2007) was a prominent figure in Soviet propaganda art, holding membership in the Union of Artists of the USSR and founding the creative workshop "Agitplakat Dona." After completing his studies at Rostov Art College (1946–1951) and Kharkov Art Institute (1951–1957), he dedicated his career to creating political, agricultural, and satirical posters. His leadership of Agitplakat Dona from 1978 solidified his influence in the sphere of Soviet visual propaganda.